A Redneck Siddhartha
is a novel set in the Kaweah watershed of the southern Sierra Nevada. This blog provides introductions and insights into the characters and an opportunity for readers to interact with them. The novel's style is magical realism--Herman Hesse meets Carlos Castaneda and bumps up against Gabriel Garcia Marquez. The story is distinctly part of the American West, its people and its landscape.

Tuesday, October 11, 2011

Life Without Objection



            Have you had moments when you’ve wondered why you were even on the planet, what between personal pain, stress, powerlessness, and the general insane state of the world?  Consider the lives of Francisco and Wu, who’ve been around for over 200 years.
            When Wu left China in 1859, up to thirty million of his countrymen were dying around him as a result of the Taiping Rebellion and the Opium Wars with the British.  Francisco watched his wife and son die in the Great Dying of 1833 when up to two-thirds of all the Yokuts in Central California died of disease, this after escaping from the mission where he’d been taken when he was kidnapped by the Spanish cavalry.  It would be easy to fall into a pit of helpless despair in the face of such circumstances. 
            Somehow the lives of these two men have gone on and on, but is this a blessing or a curse?  How would your mind handle having that amount of time to dwell on the insults and tragedies of life? 
            Wu says that you have to give up all your objections to being alive in order to understand what it means to be a full human being and understand why you’re on the planet.  It’s understandable, even if it can’t be fully explained.  He says we have to allow pain to just be pain, without using it as a reason to object to life.  The mountains and rivers of the southern Sierra Nevada absorb Francisco’s and Wu’s pain and help them to live without objection.

Monday, October 10, 2011

The Big Lie

It’s been said that writing fiction is lying to tell the truth.  In order to say what I wanted to say, I’ve had to tell big lies.  That’s the nature of this novel, the nature of magical realism. Something true lies beneath the lie.  This is the opening chapter to the book.

The Raven

The raven rode the uplift past the face of the granite dome, rose above the world and began to turn slow meandering circles above the Sierra ridge as she croaked her message into the wind.  To the east the raven could see the world was still locked in snow and ice.  Thousands of feet below where she circled the raven could make out a movement by the river.  Maybe the figure far below was who she was looking for.  The raven pulled out of the uplift and began a descent toward the river.
The old man emerged from a pool at the edge of the river where he had carefully stayed away from the fast current in the middle.  The water was snowmelt cold, but his body had adapted after all the many years of daily ritual.  Cleanliness was next to godliness.  He wasn’t obsessive, but he had to daily wash away his memories of the red dust world below the mountains in order to stay alive.  Too many memories, ancient memories.   He heard the distant cry of the raven carried on the wind and looked up, nodded in her direction in a slight bow.  Something or someone important would be coming.
Off to his left another old man stirred where he lay on a narrow strand of stark white sand cupped in the hollow of a granite slab that tilted gently toward the river.  The slab was a confection of shades of reds and rusts with great intrusions of black shot through.  Grey/white boulders that had swept down from the higher elevations during high water snowmelt years gathered in pockets along the river where they had been trapped as the water receded.  The old men had sometimes sat up all the night during these runoffs, the mountains dark around them under the stars, and had listened to the boulders growling and crashing against each other in the riverbed and watched as the sparks flew underwater as rock struck rock like flint on steel.  The river illuminated itself.
Though her message was delivered, the raven flew lower and watched. The two men were obviously different.  The one emerging from the river was Asian, more slightly built than the man lying on the sand.  The man on the sand was darker and rounder, his skin a deep reddish-brown.  He too looked up toward the raven and smiled, then greeted his friend emerging from the river.  Up canyon, snowcapped Alta Peak jutted above the more immediate tree covered ridges.  This terrain had had been home for a very long time, broken by forays to the great valley below.
Slightly upriver from the men, the raven silently glided toward a dying pine that protruded above the surrounding trees and settled out over a dead branch, then extended its claws.  It was still winter in the low mountains, yet some trees were starting to sprout new growth.  The raven studied the men’s actions, tried to understand what they might need for their ongoing existence.  After an hour the raven took flight, satisfied with her observations.
            The raven ascended a few hundred feet as she flew upriver, then curved behind a crumbling granite ridge, her mission complete.  The Great Mind had watched through the raven’s eyes and now dwelled on the information.  The raven flew on, homeward bound.
            Upstream in time the fabric shifted, made accommodation.

Friday, October 7, 2011

Imagining Meaning

A Redneck Siddhartha is an exploration of both the inner and outer terrain of being here on this planet beneath the unflinching stars.  The protagonists are anonymous people who dive into the deepest questions of existence, compelled by their circumstances.  The exploration is an infinite one, for as one of the protagonists, Wu, states,

No matter what God you believe in, there is always a larger God.  No matter what name you call God, the name is always incorrect.

Each of the characters will be explored in future posts and you'll be able to ask questions of them.  There is JR, a cowboy in the southern Sierra Nevada whose Okie grandparents came to the San Joaquin Valley below the mountains during the Dustbowl.  He suffers from PTSD for a variety of reasons—war, family, culture.  At his lowest point he meets the two old men, Wu and Francisco.  Wu is a refugee from the Taiping Rebellion and Opium Wars in China, while Francisco is a former chief of the Kaweah Yokuts and an escapee from the slavery of the Spanish Missions.  The book is also an exploration of time and space.

Another of Wu’s observations is this.

If you can’t imagine meaning and redemption for yourself, then imagine it for another person.  In doing so, maybe the other person can imagine the same for you.  We aren’t here to judge each other, but rather to imagine success and meaning and redemption for each other so we can move forward on this path together.

Wu’s comment carries over to the point of this blog. In order for these characters to come alive in this world, it requires you to imagine their success and redemption, to imagine their meaning to this world.  If they are made real, then, in turn, they may be able to imagine the same for you.  By choosing to follow and share these characters with others, it may be so.